Larry Rivers, On the Phone, 1995
Oil on Canvas Mounted on Sculpted Foam with Wood Support, 46 1/2 x 49 1/2 x 6 in. (118.1 x 125.7 x 15.2 cm)
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Provenance:
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Irving Galleries
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Exhibitions:
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Neuberger Museum of Art, Purchase. "Harrison Celebrates Art," June 30 - September 22, 1996.
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Duke University Museum of Art, Durham. "Get Real: Contemporary American Realism from the Seavest Collection," April 4 -June 6, 1997.
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Bibliography:
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Virginia Anne Bonito, Get Real: Contemporary American Realism from the Seavest Collection (Durham, NC: Duke University Museum of Art, 1998), Page 119
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Links:
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Larry Rivers, Roots, The Auction and Other Visions of Slavery, 1994
Pencil and Colored Pencil on Paper, 27 5/8 x 23 1/2 in. (70.2 x 59.7 cm)
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Provenance:
Marlborough Gallery Inc.
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Bibliography:
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Richard Segal, Monica Segal, DeDe Young, Jared Pruzan, Contemporary Realism: The Seavest Collection (Portland: Collector's Press, 2007) . Page 146
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Links:
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Larry Rivers, Thomas Rice in the Role of Jim Crow The Minstrel Dancer, The Auction and Other Visions of Slavery, 1994
Pencil and Colored Pencil on Paper, 24 x 31 in. (61 x 78.7 cm)
Larry Rivers, Vanished World: Garbo and Boyer, 1994
Oil on Canvas Mounted on Sculpted Foam, 39 7/8 x 30 1/4 in. (101.3 x 76.8 cm)
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Provenance:
Marlborough Gallery, Inc.
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Exhibitions:
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Duke University Museum of Art, Durham. "Get Real: Contemporary American Realism from the Seavest Collection," 4 April-6 June 1997.
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Bibliography:
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Virginia Anne Bonito, Get Real: Contemporary American Realism from the Seavest Collection (Durham, NC: Duke University Museum of Art, 1998), Page 117
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Links:
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Larry Rivers, Study for Last Civil War Veteran, 1970
Mixed Media, 31 x 23 x 1 1/2 in. (78.7 x 58.4 x 3.8 cm)
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Provenance:
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Irving Galleries
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Bibliography:
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Richard Segal, Monica Segal, DeDe Young, Jared Pruzan, Contemporary Realism: The Seavest Collection (Portland: Collector's Press, 2007) . Page 147
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Sam Hunter, Larry Rivers (New York: Rizzoli International Publications, Inc., 1989), Page 106
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Links:
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